我想要简单介绍一下本杰明·马奇的背景,但是首先,我想向沈弘表示感谢,是他首先发现了马奇的图片所涵具的展览潜力。
I want to talk briefly about the background of Benjamin March, but first I want to thank Shen Hong, who first recognized the exhibition potential of the March photographs.
由于马奈在奥塞博物馆中最重要的两幅作品《奥林比亚》与《草地上的午餐》皆是以莫涵为模特儿的画作,使得莫涵一直是十九世纪艺术史学者所关注的焦点。
Whereas Edouard Manet chose to paint Victorine Meurent in two of his masterpieces in the Louvre: Olympia and Le Dejeuner sur l'Herbe , she is of interest to scholars.
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