第三章从古锁的艺术风格入手，研究并得到古锁造型与装饰的主要特征——吉祥寓意表现。
In the third chapter, the artistic style of the old locks are researched and get the basic character, the lucky meanings involved in the shape and decoration of the old locks.
第五章对全文进行了总结，提出了精益生产方式“一个流”的思想适合运用在制锁厂，并且应在全公司中推行。
The fifth chapter is the conclusion of the whole text providing the idea that the one piece flow is suitable for the lock factory and should be promoted in the entire company.
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