这些都写进了那一章，但范诺伊，批判了想象的观念的基础，就在这个观念出现在三部曲的第一册时。
And that's what went into that chapter but Vannoy has criticisms of the fundamental concept of imagination as it appears in the first volume of the trilogy.
在1867年制作诺德章牌时，他第一次放弃了沿章牌外缘的突起的边，使得图像和背景成为雕刻的组成部分。
For the first time in the Naudet medal in 1867, he abandoned the edge along the medal rim, the graphics and the background became part of the sculpture.
第三章分析年轻人伊诺克失败、荒诞的寻找之路，揭示出人不能只听从自己的本能和直觉，从而进一步印证了小说的精神救赎主题。
The theme of such spiritual redemption of the It-world is further reinforced in chapter Three where analyses are made about Enoch Emery's absurd and failed quest of something he is desirous of.
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