其中宗炳和梁元帝为有名的山水画评论家。
Among those critics, Zong Bing and Emperor Yuan of Liang of the Southern Dynasty were well-known.
宗炳追随慧远并接受“形象本体”之学，这是形成《画山水序》前瞻性的山水画理论的内在原因。
Zong Bin followed Hui Yuan and accepted his "imaginary ontology". This was the innate reason of the perspectiveness in his Preface for Landscape Painting.
六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
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