彭建忠的这些作品所营造出来的超现实的场景，也同样给我们一种寓言性的阐释。
Also the super realistic scenes constructed by the works of Peng Jianzhong bring us an allegoric expatiation.
张力的基础是针对于“侵害”与“无助”的心理救赎，而这也是彭建忠作为艺术家的个人“拯救计划”。
The basis of this tension is the psychological salvation of "invasion" and "helplessness", which, at the same time, is also the personal "salvation plan" of Peng Jianzhong as an artist.
同样是有目的地渲染方式，彭建忠也最终确定用“孩子”的形象来加以强化。
Peng Jianzhong finally made a decision to make use of the image of "children" to enforce the same purposeful manner of playing up the anxiety and the deformed psychology.
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