三是第一次将自宋至元的燕乐曲子按宫调进行了仔细的梳理。
Thirdly, it has put Yan Music in order from the Song Dynasty to the Yuan Dynasty attentively.
对其所用宫调数目及其与唐燕乐二十八调、宋教坊乐和宋词乐所用宫调的关系也试图作一些初步的探讨。
It also tries to probe into the number of tunes and its relationship with 28 tunes of Yan Music in Tang dynasty and Jiaofang Music in Song dynasty and tunes of Ci Music in Song dynasty.
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