Daniel Garber employs broken Impressionist brushstrokes in "The Bridge at New Hope" (1952), its steel-truss span evoking the serene industrial views of Charles Sheeler and the American Precisionists.

WSJ: Nature in America | A Landscape in Evolution | By Barrymore Laurence Scherer

Oscar Bluemner, William Glackens, Marsden Hartley, Robert Henri, John Marin, Maurice Prendergast, Charles Sheeler and John Sloan were all in the Armory Show, and their contributions are now brought back together in Montclair.

WSJ: The Forgotten Americans | The New Spirit: American Art in the Amory Show, 1913 | Montclair Art Museum | By James Panero