Nolfi and the cinematographer, John Toll, have produced a sombrely unified vision of New York as a place of dull skies and frequent downpours, a city whose towers stick up like hostile gray stalagmites.
The writer and director, George Nolfi, and the cinematographer, John Toll, have produced a uniform vision of New York, a place of dark skies and frequent downpours, a city whose towers stick up like hostile gray stalagmites.
The writer-director George Nolfi, by literalizing and supercharging what Dick sketched out, and adding gimcrack history and theology, has made a strenuously silly digital-action film, interrupted by a wheezing discourse about freedom and choice and other such profound matters.