Eriko Imai 今井绘理子 ; 今井絵理子 ; 今井绘里子 ; 英文名
Tsubasa Imai 今井翼 ; 今井 ; 外文名 ; 扮演者
Eri Imai 今井惠理 ; 今井绘理 ; 今井惠理写真
Tadashi Imai 今井正 ; 导演
Yuka Imai 今井由香 ; 今井
Takafumi Imai 今井隆文
Imai Miki 今井美树 ; 今井
Miki Imai 今井美树 ; 表演者
Sachiko Imai 今井幸子 ; 今井佐智子 ; 今井
"It is a generation that faces a situation in which the balance between responsibility and authority is broken," says Mr Imai.
Imai表示:“这代人面临责任与权力的平衡被打破的局面。”
Mr Imai warns, however, that “there are people who take advantage of the system” by claiming they are depressed “and lawyers who encourage that kind of behaviour”.
Imai则指出,“有人会钻制度空子”,自称患了抑郁症,而且还“有律师怂恿这类行为”。
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上,当日本受邀提交一部影片参加威尼斯电影节时,最初正是此类影片中的一部——今井正(Imai Tadashi)的《待到重逢时》(Until We Meet Again, 1951)获得了推荐,不过最终被选中参赛的却是《罗生门》。
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