...分既搞理论又搞创作:艾略特(Eliot)作为诗人比 作为理论家更为重要;瑞恰兹( Richards )是诗人兼剧作家; 燕卜荪 ( Empson )的诗被受李维斯推崇;兰色姆( Ransom )与退特 (Tate)的诗歌创作很有特色;沃伦(Warren )是小说家兼诗人,他的 小说All the...
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William Empson 燕卜荪 ; 威廉·燕卜荪 ; 恩普森 ; 安普生
Jacob Empson 恩普森 ; 雅各布·恩普森
Rip Empson 恩普森 ; 艾普生
laura empson 恩普森
Martin Empson 爱默生
sir william empson 西南联大受燕卜逊先生
Jo Empson 恩普森
Simon Empson 安普森
Empson Said 恩普森说
Chapter 2 sums up the three groups of subject-matter Empson oftenuses in his poetry.
第二章把燕卜荪诗歌中常用的主题总结成三组。
参考来源 - “天赋朦胧”In 1930, William Empson, the British famous critics and poet, published his works Seven Types of Ambiguity. In this book, Empson discusses the ambiguity which is the essence of the poetry, which initiates people to ponder this question again.
1930年,英国批评家、诗人威廉·燕卜荪的Seven Types of Ambiguity(《朦胧的七种类型》)一书出版,将朦胧作为诗歌的本质进行了深入探讨,引发了人们对朦胧问题的重新思考。
参考来源 - 李商隐“无题诗”中的“朦胧”在英译中的传递·2,447,543篇论文数据,部分数据来源于NoteExpress
William Empson, in the book of Seven Types of Ambiguity, first makes a research in the ambiguity of semantics.
燕卜荪的《复义七型》是第一部将语义学中的“复义”问题专门提出来进行研究的著作。
At bottom, Empson doesn't really settle into the rigorous consideration of the author, the text, or the reader as if they were separate functions.
实际上,Empson并不会,仔细考虑作者,文本,读者这些因素,就好像他们各有功能一样。
The last chapter of Seven Types of Ambiguity, his seventh ambiguity, is actually, as Empson said, about "some fundamental division in the writer's mind."
在《朦胧的七种类型》的最后一章,第七种朦胧,Empson提到,“作者思维的本质区别
At bottom, Empson doesn't really settle into the rigorous consideration of the author, the text, or the reader as if they were separate functions.
实际上,Empson并不会,仔细考虑作者,文本,读者这些因素,就好像他们各有功能一样。
Empson But Empson I hope you enjoy.
我也希望你们能喜欢。
For Empson, there's a kind of a fluid and easy movement back and forth between what for hermeneutics are three very different phenomena: author, text, reader.
对Empson来说,在作者,文本,读者之间,诠释学里认为这是三种非常不同的现象:,在三者之间有一种流畅的反复的关联。
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