陈家刚：若干的组合，而且这个视角是一个超视角，不是一个广角的概念，用这个东西来定义就是说，它从照相语言来讲，跟立体派有相应的地方。
Chen Jiagang: Yes, the integration of many pictures, and with a super vision, not the concept of wide angle. In definition, it is similar to cubism in terms of language.
这一系列作品因而给人时空错乱的“超”现实感，而陈家刚自己则将其称作“再现实”。
This series of works give the impress of "super" realistic impression of time and space confusion, and Chen Jiagang called this "Re-reality".
33岁的陈超(音)是北京的一位瓷器艺术家，80年代观看这部卡通片时，他就被其别具一格的艺术风格深深打动。
Chen Chao, 33, a Beijing-based porcelain artist, was impressed by the unique artistic style of the original when he watched the animation program during the 1980s.
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