邢侗（1551-1612），字子愿，号知吾，自号啖面生、方山道民，晚号来禽济源山主、世尊称来禽夫子。 临邑（山东德州）人，明代书法家。 明万历二年进士，官至陕西太仆寺少卿。善画，能诗文，工书，书法为海内外所珍视。与董其昌、米万钟、张瑞图并称“晚明四大家”。
然其身后不久，邢侗及其作品便渐渐淡出人们的视野，与董其昌、张瑞图等一直承续着晚明煊赫的声名形成鲜明的对比。
However shortly afterwards, Xing Tong, together with his works was gradually out of our sights in sharp contrast with Dong Qichang, Zhang Ritu who keeps great fame in the late of Ming.
本文的目标，是对邢侗及其书法作基础性的史学梳理与研究，希望为人们更好地认识邢侗乃至明代书法史提供一定的参考。
The thesis aims at sorting out and doing basic research on Xing Tong and his calligraphy, hoping it can give a reference in knowing Xing Tong better and calligraphy history of Ming Dynasty.
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