而在你视线未及的窗台边,放着一张和它一样高的写字桌,桌上散乱着用蓝色毡头笔书写的稿件。 萨缪尔•马纳什正写着诗。
This was the first clue that out of sight, level with the window sill, was a writing desk, and that at this desk, on sheets of unruled paper in blue felt-tip pen, Samuel Menashe was writing poems.
由越南诗人秋梦主编、陈国正作序的《诗的盛宴》由越南华文文学会出版。该书收录了老、中、青当代越南诗人39位。
Edited by poet Chiu Meng and prefaced by Guozheng Chen, The Feast of Poetry, an anthology including 39 contemporary Vietnamese poets was published in Vietnam.
两年前,当莉斯——一个满头的小麻花辫像瀑布一样垂在前额的年轻黑人妇女,在第一届诗歌节上朗读自己的诗时,她正怀着孩子。
Two years ago, when she read her texts at the first festival, Liz, a young Black woman with small braids cascading down her forehead, was pregnant.
We're being asked to accept the fiction that Milton is having this very poem laid at the blessed feet of the infant Christ.
它想让我们接受这一幻景,幻景中弥尔顿正把这首诗,谦虚的在上帝圣洁的脚下安放。
For all of Yeats's reactionary moods, even for his indulgence in nostalgia here, he's not a nostalgic poet. And this poem I think shows us what I mean by that.
尽管他有保守的心态,此处也是沉浸在回忆中,但他不是个怀旧诗人,这首诗正表现这点。
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