蔡明亮的作品都呈现出一贯的心灵沙漠和卡夫卡式的荒芜绝境。
Tsai's works always take on the mind desert and the Kafka-type desolation.
研究方法以对象分析为主，辅以横向与同时代导演侯孝贤和纵向与后辈导演蔡明亮的比较。
Ways to study is target analysis of the film itself, supplemented by horizontal and vertical contemporary with Director Hou Hsiao-Hsian and Tsai Ming-Liang's comparison.
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