同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？

Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

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作为“波西米亚”艺术家及作家的聚居地，格林威治村是罗莎蒙德·杜朵继续其艺术事业的理想之地，却并不是抚养孩子的好地方。

A gathering place of "Bohemian" artists and writers, Greenwich Village was the ideal place for Rosamond Tudor to pursue her career as an artist; however, it was not the ideal place to raise a child.

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因为编辑错位，之前这篇文章将参加弥撒的蒙蒂先生错误的写成了纳波利塔诺先生。

Owing to an editing error an earlier version of this piece mistakenly said Mr Napolitano had attended mass, rather than Mr Monti.

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