董希文与“油画民族化”理论以及实践有着直接的关系。

Dong Xiwen had a direct relation to the theory and practice of 'the Nationalization of Oil Painting'.

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在中国现代艺术史上，绘画中的形象被要求修改的事件数不胜数，董希文1953年创作的《开国大典》正是其中最具有代表性的案例。

Countless cases of modifying images in paintings could be found in Chinese modern art history, and Dong Xiwen's "Founding Ceremony of PRC" (1953) could be the most representative.

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