本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
本文以分析归类的方法，将二胡演奏艺术中的众多问题划分为理性问题和感性问题两类。
This essay confines various problems in erhu fiddle performance to two major categories : rational problems and perceptual problems through analyzing and categorizing .
本文通过分析胡风诗歌的语言艺术探讨他的言语风格，从而揭示胡风的审美趣味，并整体把握“七月诗派”的艺术特征。
This paper deals with Hu Feng′s aesthetic interest and the art features of the Approach of July Poetry by means of the analysis of Hu′s language art and language style.
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