小说末尾，落魄的祥子靠着捡烟头来艰苦维持着悲惨的生活。
The novel ends with a broken Xiangzi picking up cigarette-ends to eke out a miserable living.
老舍刻画的祥子比鲁迅犀利漫画式阿Q更加令人同情和更有人情味。
Lao She’s portrayal of Xiangzi is far more sympathetic and humane than Lu Xun’s savage caricature of Ah Q .
祥子似乎把全身的力量都放在唇上，爆裂出这两个字，音很小，可是极有力。
All Xiangzi's strength went into blurting out these two words, which burst from his lips low-pitched but vehement.
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