隋唐宫廷燕乐集中地反映了这一时期音乐文化的最高成就，它来源于汉族传统音乐的不断积累和汉魏以来外族音乐的大规模的输入，实质上是我国封建社会音乐文化的精华在长期积淀的基础上以及一定的政治、经济社会条件催化下得必然产物。
布依族“八音坐唱”与唐代燕乐“坐部伎”之比较-贵州旅游大全│贵州旅游主题站点 关键词 ：八音，坐唱，坐部伎，立部伎，燕乐 [gap=1066]Key Words: Eight Notes; Seated Singing; Zuo Bu Ji; Li Bu Ji; Yan Music
基于20个网页-相关网页
宋代是中国古代音乐文化的转型期，受此影响，宋代宫廷燕乐的表演体制也发生了重大变化。
Song Dynasties were a period of transformation for music culture whose influence was that the performing system of the court banquet music in Song Dynasties was transforming accordingly.
对其所用宫调数目及其与唐燕乐二十八调、宋教坊乐和宋词乐所用宫调的关系也试图作一些初步的探讨。
It also tries to probe into the number of tunes and its relationship with 28 tunes of Yan Music in Tang dynasty and Jiaofang Music in Song dynasty and tunes of Ci Music in Song dynasty.
盛唐年间问世的《古今乐纂》保存了不少有关隋唐时期音乐体制的第一手资料，对隋唐燕乐的研究具有重要价值。
This book embodied many first-hand materials on pop music in Sui and Tang periods, hence, it weighs a lot in the study of Sui and Tang pop music.
应用推荐