武明中的像工业产品般的人，装在箱子里——整齐划一，但脆弱得如玻璃。
Men under Wu Mingzhong's brush resemble industrial products, packed neatly in boxes yet as fragile as glass.
这种语言构成了武明中绘画的美学核心，既折射出对人的脆弱心理学的分析，又表现出透明社会学的指涉意义。
The language became the aesthetic core of Wu Mingzhong's painting, it not only reflects the analysis of people's fragile psychology, but also presents the implication of transparent sociology.
武明中的绘画具有某种混杂性的特质，也就难以界定其风格的属性，这无疑代表了进入21世纪新绘画的一种情绪。
Wu Mingzhong's painting has some sort of intermixed characters, so it is difficult to define the attributes of its style, which undoubtedly represents a sort of mood of new painting in 21st century.
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