17世纪,剧作家内厄姆塔特拙劣的修改了它,使得原作中李尔王和他最爱的女儿考狄利娅两人双双死去的悲剧性结尾化为乌有。
In its place was a heavy-handed adaptation by 17th-century playwright Nahum Tate, who blue-pencilled the tragic double death of Lear and his favourite daughter Cordelia.
第二章集中阐述了李尔王和考狄利亚之间的冲突。 根据黑格尔的悲剧理论,这一冲突属于悲剧冲突中的第二种。
Chapter Two concentrates on the collision between King Lear and Cordelia, which belongs to the second kind of collisions according to Hegel's tragedy theory.
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