这成分听起来如同在一曲忧郁的安魂颂中，有人残酷无情地吹卡祖笛玩。

It sounded like someone relentlessly playing the kazoo during one of the more sombre passages of a War Requiem.

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当时，这位指挥大师对席勒的诗歌《欢乐颂》（有认为贝多芬为这首诗谱了曲）作了艺术性的再创作，他改动了一个词，将大合唱和独唱的“Freude”——欢乐一词——改为了“freiheit”——自由一词。

For the occasion, the maestro took some artistic liberty with the text of Schiller’s poem, “Ode to Joy.” He changed one word.

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同时以《芬兰颂》、《第二交响曲》、《d小调小提琴协奏曲》等不同体裁的作品为例，我们从中可以看出西贝柳斯特有风格的形成过程。

Meanwhile in "Finlandia" and the "Symphony No. 2 in D major" and the "Violin Concerto in D Minor" by the works of different genres , We can see the formation of Sibelius unique style .

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