说孟涛转向花鸟油画,其实是只有鸟没有花,花的意象为鸟的伤痕所替代。
Moreover, in Meng's flower-and-bird oil-painting works, there are only image of birds, and that of flowers is expressed as the scars of the birds.
孟涛的作品从不画人,但人就在画外,因为那些美丽禽鸟的惨状都是人之所为。
Human beings never appear in Meng's works, but they are watching the tableau. All the misery in the painting is conducted by human beings.
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