好面上炙个疤儿，一生带破；白衣上点些墨儿，一身带涴。
With a scar on a good face, with a broken life; some ink points in white, with a body belt.
谢墨凛甚至空运了一台刻字机到英国，以便在研究生阶段继续这一创作方式的深入，更注重画面空间的营造。
Xie Molin even sent a cutting plotter to Britain by air freight in order to further such creating method in his post graduate period in which he focused more on creating space of the picture.
如果陈汉生的假设能够成立的话，它对《墨辩》作者的认知观念会有很大的意义；
If the hypothesis were to hold, it would have great significance for the cognitive stance taken by the author of the Mo-bian;
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