在第二天拍摄的前一天晚上，我到了影棚并且和模特进行了布光测试，根据空间来决定使用那只镜头，并且为第二天的拍摄做好充分准备。
The night before Day Two’s shoot, I went in with a model to test out the lighting, get a feel for the space to determine which lenses to use, and just be totally prepared for Day Two.
进去以后，踮着脚尖从一个房间转到另一个雍容富贵的房间，直到你发现宴会厅为止。那里有着世界上第二大的地毯，它的影记，又出现在墙上有着十九世纪末法国新艺术派风格的镜子里。
Inside, tiptoe through room after glorious room until you emerge in the ballroom, with the second largest carpet in the world reflected in a long wall of art nouveau mirrors.
罗伯特·布列松(1901—1999)在影史是独一无二的，五十年来只拍了13作，你不难在银幕一眼认出他的作品。
Robert Bresson (1901-1999) in the film is the one and only, fifty years only took 13, you can easily recognize a screen in his works.
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