李梦阳等人推崇严羽却又大谈“法式”的矛盾现象,说明“诗法”是研习创作的客观要求;
Scholars such as Li Mengyang spoke highly of Yan Yu, while commenting a lot on the contradiction of poetry rhyme.
谢榛的诗法相对于严羽,趋于具体、精微化,更多结合了古人作品来谈。
Xiezhen"s theory was more concrete and subtle than Yanyu"s because his theory came out from the ancient works.
“夫学诗者,以识为主”是严羽对于诗人审美判断能力的独特要求。
The distinctive requirement that Yanyu sets for poets is expressed in his words:" Those who study poetry should emphasize on consciousness."
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