这是黄庭坚区别于其他诗人的艺术特征。
All of these artistic characteristics distinguishes him from his contemporary poets.
如苏轼题画诗中的“形神论”与黄庭坚题画诗提倡的“韵”说,都对宋代的绘画、鉴赏理论产生深远影响;
For instance, Su Shi's"theory of contour and spirit"and Huang Tingjian's idea of"Yun"have affected the theory of painting very much in the Song Dynasty;
苏轼门人对于《庄子》的直接阐述并不多,但诸如黄庭坚的《庄子内篇论》,晁补之的《齐物论》等文章具有很高的学术价值。
Although the direct expatiations by su scholars group on Chuang-tzu were few, some articles such as Chuang-tzu Nei Pian Lun by huang Tingjian and Qi Wu Lun by Chao Buzhi were of great learned value.
江西诗派后学张“一祖三宗”之说,虽然远绍杜甫,但黄庭坚才是江西诗派的实际开创者,他正是通过学杜形成自己独特的诗歌风貌的。
Jiangxi Poem School held the saying "one originator, three models", though they followed Du Fu, yet Huang Tingjian was the real pioneer of Jiangxi Poem School.
黄庭坚是宋代著名的文学家与书法家,也是著名的书画艺术鉴赏家,他的画论在北宋的艺术理论中非常重要,也与其艺术创作有不可分割的关系。
As a famous litterateur, a calligraphistas well as a connoisseur in painting and calligraphy, Huang Tingjian occupied an important position in the literature and art of the Northern Song Dynasty.
黄庭坚是宋代著名的文学家与书法家,也是著名的书画艺术鉴赏家,他的画论在北宋的艺术理论中非常重要,也与其艺术创作有不可分割的关系。
As a famous litterateur, a calligraphistas well as a connoisseur in painting and calligraphy, Huang Tingjian occupied an important position in the literature and art of the Northern Song Dynasty.
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