声乐作品是文学语言和音乐语言的结晶。
Music works is the crystal of literature language and music language.
是你希望中的音乐语言，如此宏大，是你的神奇将一切变成美梦。
It's your music words for hopes. So grand, it's your supernatural turn everything into nice dream!
肖邦在夜曲中创造了完美的音乐语言、曲式结构、和声及调性手法。
Chopin created consummate musician language, form structure, harmony and tonal technique in his nocturnes.
本文将从中归纳、现斯克里亚宾钢琴作品中独特的写作手法及音乐语言。
This paper will generalize and discover Scriabin's peculiar composing method and the characteristics of musical language in his piano music.
虽然这些作曲家有不同的风格，可是他们都用一种可以让人们理解的音乐语言来写乐曲。
While these composers have different personal styles, they write in an accessible musical language. And Spano says there's one thing they all share.
十二音技法作为二十世纪的音乐语言，首先产生于德国并在世界范围内开花结果。
Being the musical language of the twentieth century, twelve-tone technique originated in Germany and soon bloomed all world the world.
两位作曲家拥有共同的音乐语言，也正是因为这样，一些资历尚浅的听众很难将这二人加以区分。
The two composers share a common musical idiom; there are many reasons why inexperienced listeners find it hard to tell them apart.
艺术家之所以伟大在于他们对音乐语言驾轻就熟，以致于可以满怀喜悦地演出写于任何时代的作品。
Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century.
也可用来描述音乐，即音乐语言，或是去描述艺术，或任何的交流系统，都是没问题的。
You could use language to describe music, talk about the--a musical language or art, or any communicative system, and there's actually nothing wrong with that.
梅西安的音乐语言独树一帜，创作手法别具一格，他的作品富有鲜明的个性和独特的表现力。
The music language of Messiaen creates new style, creating skill to have an unique style, the full of fresh and clear character of his work and special performance dint.
本文主要从戏剧结构、音乐语言及两者的结合入手，对这部歌剧的最后一场进行音乐学分析。
From the drama structure, music language and combination both of them, the article made the musicological analyze to the last scene of the work.
和歌剧的歌词相比，他的音乐语言时而舒缓，时而高亢，而他的音乐仿佛是呼吸在另一种时间里。
Bellini expands and elides musical phrases, so that the musical content breathes in a different time frame than the verse.
音乐语言的架构与框架是从其组织、结构、格式以及传统意义上的规范和作法来反映音乐本身。
The framework for music language which reflects music in terms of organization, structure, style and the traditional standard of music is a good focus of attention for understanding music.
他们从哈萨克民间音乐出发，又融合了当代的音乐手法，从而创造出一种独一无二的音乐语言。
Rather IZ begins with traditional music and, using the techniques and methods of contemporary music, creates a unique musical language.
这部钢琴组曲向世人展示德沃夏克是一位如音乐诗人舒曼般的、善于用音乐语言来描绘自然美的音乐家。
Poetic Tone Pictures attracted every pianist for its exquisite harmony and beautiful melody, and the wonderful scenery was typical Dvorak's music vocabulary.
而塔米诺单纯善良的基本性格以及优雅的贵族绅士气质，决定了莫扎特运用质朴、纯洁音乐语言对其进行塑造。
Tamino simple kindness and the basic character and elegant aristocratic gentleman demeanor make Mozart choose a gentle, pure musical language to shape.
第二部分结合本人对这部作品的理解和演奏的感悟，具体分析它的小标题、演奏要点、音乐语言和创作特点等。
In the second part, I will concrete analyze the key points of pianism and the form with my understanding and experience.
无论从创作手法、音乐表现、乐曲结构大小、对捷克民间音乐语言的运用等方面都表现了作曲家特有的创作方法。
The composing styles, music expression, music structure and the use of language of folk music in Czech express his particular composition methods.
此外，主导动机贯穿的手法则是巴托克在运用现代的音乐语言的基础上对贝多芬晚期的“贯穿曲式”的继承与发扬。
In addition, by carrying forward and developing Beethoven 's cyclic form on the base of modern musical language, Bartok created leading motive technique.
此外，主导动机贯穿的手法则是巴托克在运用现代的音乐语言的基础上对贝多芬晚期的“贯穿曲式”的继承与发扬。
In addition, by carrying forward and developing Beethoven's cyclic form on the base of modern musical language, Bartok created leading motive technique.
在他的作品中，始终用自己民族的音乐语言，表达着对受压迫的祖国的热爱，这也是他艺术的一生始终不渝的基本思想内容。
In his work, he always used his nation's musical language to express the love of the motherland from oppression. This is the basic idea of his artistic life as always.
在音乐语言与绘画语言的具体应用表现上，着重从比亚兹莱黑白画中线条构成的“音响”效果及“旋律性”、“节奏性”的表现来进行分析与比较。
About his expression of musical and painting language, this article analyzes and compares the musical quality, tempo and rhythm of Beardsley's black and white paintings.
外星语言是携带着图片和音乐的信号。
长期以来，舍伦贝格一直质疑科学研究所支持的这一说法：音乐教育提高儿童的抽象推理、数学或语言能力。
Schellenberg had long been skeptical of the science supporting claims that music education enhances children's abstract reasoning, math, or language skills.
相对于语言戏剧性的抑扬顿挫，相对于利用语言节奏来表达情感和增加戏剧性的方式，音乐的重要性可以退居次要地位。
The music was secondary, if you will, to the dramatic cadence of language, to the way the rhythm of language was used to express feeling and used to add drama.
这也是为什么当我们试图用语言描述音乐时，我们所能做的只是表达我们对音乐的反应，而不是领会音乐本身。
It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
这也是为什么当我们试图用语言描述音乐时，我们所能做的只是表达我们对音乐的反应，而不是领会音乐本身。
It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
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