本文通过分析相关文本，探讨西方女性主义理论对陈染的影响。
By analyzing relevant written texts, this paper explores the impact of western feminist theory on Chen Ran.
我觉得从叙述学角度来观照陈染的小说就有意想不到的审美意味。
Moreover, I think when studying the art of narrative compositions, readers may also find a very tasteful yet unexpected sweetness to his work.
本文从这三方面对陈染的《私人生活》予以分析，对陈染笔下女性的生存状态进行了探索。
This paper tries to analyze private life from the above three aspects to explore women's living state and Chen Ran's writing style.
陈染(化名)，是一个23岁的大学毕业生，她喜欢上了寄售店里的一辆红色的马自达3。
Chen Ran (not her real name), is a 23-year-old recent university graduate who said she fell in love with a red Mazda 3 in a consignment store.
陈染的小说在自述身世的狂热中始终闪现着对成长的关注与渴望，既是作为女性的，又是作为女作家的。
When giving an account of her own life experience in the novel, Chen Ran expresses her desire for maturity both as a female and as a female writer.
基于自身内心经历和体验，陈染的内倾型创作方式同时受到西方文化思潮和中国新时期文学思潮的影响。
On the base of her inner experience, her introversive writings is also affected by the cultural thought of the West and the trend of Chinese literature in the new age.
池莉和陈染的文学创作代表了两种类型的女性文本。她们的女性文本所表现出的价值取向存在着一定的差异。
The productions of Chi Li and Chen Ran are two representative genre of feminine text, although different value orientations are adopted in each to some extent.
陈染的作品主题在于表现“女性的特殊存在”，表现女性所独有的心理体验，因而其笔触自然走向女性的内心世界。
The subject of Chen Ran's works lies "the special existence of woman" and depicts the unique psychological experience of woman.
上世纪90年代，由于西方女权理论与中国多元文化语境的相逢，催生出了纯粹的女性主义写作，陈染是其中典型代表。
In the 1990's, the connection of the western feminism theory and Chinese plural cultural context produced the pure feminism writing, and Chen Ran was a representative.
上世纪90年代，由于西方女权理论与中国多元文化语境的相逢，催生出了纯粹的女性主义写作，陈染是其中典型代表。
In the 1990's, the connection of the western feminism theory and Chinese plural cultural context produced the pure feminism writing, and Chen Ran was a representative.
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