其二认为“性灵说最直接的源头”是钟嵘的《诗品》。
Its two thought that "the soul said the most direct source" is Zhong Rong "Poem".
对于钟嵘的“品第”方法进行评论并指出其传统的局限。
Comment on Zhong Rong's approach of "Grades" and point out its limitation in tradition.
品第和流别是《诗品》的独特体例，也是钟嵘诗歌美学史观的视角。
Literary ranks and genres are the typical stylistic lay-out in poetry ranks (Shipin) and also a unique perspective of Zhong Rong's history of poetry aesthetics.
钟嵘的诗学富有美学性质，创立了一些美学范畴，包含有丰富的美学思想。
Rich in aesthetic quality, Zhong Rong's poetry established some aesthetic categories with many contents of aesthetic thoughts contained.
“滋味”是钟嵘文学批评理论的核心范畴，在现代批评的语境下，仍有其存在的价值和意义。
Taste was the key category of Zhong Rong' s literature criticism theory, it still has values and significances to exist under the contemporary critical context.
“清”也是钟嵘《诗品》中较为重要的审美标准之一，钟嵘较多地用其评价山水诗人和永明体诗人。
Purity, as one of the important aesthetic standards in Grades of Poetry, is frequently used by the writer Zhong Zheng in his comments on the Landscape Poets and Yongming Poets.
“秀句”一语最早见于刘勰《文心雕龙》、钟嵘《诗品》。在六朝文学觉醒的大氛围中，第一批秀句应运而生。
The term "wittcism" was first used in Liu Xie's "Wenxindiaolong" and Zhong Rong's "Appreciation of Poetry".
“秀句”一语最早见于刘勰《文心雕龙》、钟嵘《诗品》。在六朝文学觉醒的大氛围中，第一批秀句应运而生。
The term "wittcism" was first used in Liu Xie's "Wenxindiaolong" and Zhong Rong's "Appreciation of Poetry".
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