就个人而言，我非常喜欢中国贺岁片。
他并非天生的贺岁片导演而是市场使然。
He is not a born director of the new-year-movie, it is the market that makes that.
社会、文化转型为贺岁片的出现提供了契机。
The transition of society and culture offers the opportunity for appearance of New Year Movie.
冯小刚的贺岁片创作无疑符合了电影市场的某些规律。
Undoubtedly, Feng Xiaogang's movie for greeting the New Year caters some laws of the film market.
客观地说，冯小刚对贺岁片做的市场定位是准确的，行之有效的。
To be objective, this market orientation is accurate and effective, it brings good market effect, and the lasting high achievement of sale.
我认为中国贺岁片的失败有两个原因：创造力的缺乏和低质量的制作。
I think the failure of Chinese New Year's movies is for two main reasons: lack of creation and low quality of production.
贺岁片不仅为节日增加了喜庆气氛，还带给观众不断的笑声和颇多愉悦。
NewYear films not only add joyous atmosphere to festivals, but also bring continuous laughter andmuch pleasure to the audience.
中国贺岁片能否在贺岁片电影市场中保持好势头取决于制片人对拍电影的态度。
Whether Chinese New Year's movies will last in the New Year's market depends mostly on the filmmakers' attitude towards movie production.
贺岁片的语言模因的选择标准也主要体现在主观性、客观性及主客观性等因素当中。
The selection criteria of language memes in CNYM lines consist of objective criteria, subjective criteria and inter-subjective criteria.
贺岁片为低迷的电影市场注入了生机，也闯出了一条使中国电影摆脱危机走出低谷的新路。
Surreal film market is depressed into the vitality, but also break a film out of the crisis bottomed out the Chinese New Road.
于是他们率先找到了一条将电影与市场相结合的路子——把文化变为一种消费品奉献给观众，这就是冯小刚的贺岁片。
So they will be the first to found a film market and a combination of road - the consumer culture into a dedication to the audience, and this is Feng Xiaogang's The Surreal.
它是中国传统文化与现代科技文明相交融而衍生的词汇，“贺岁片”的兴起为中国人世纪末的狂欢创造了影像的新天地。
They display mass culture in an exaggerated way and bring about a change to the Chinese people's carnival at the end of this century.
它是中国传统文化与现代科技文明相交融而衍生的词汇，“贺岁片”的兴起为中国人世纪末的狂欢创造了影像的新天地。
They display mass culture in an exaggerated way and bring about a change to the Chinese people's carnival at the end of this century.
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