董源开辟的江南水墨山水画派是与荆浩对峙的两大流派之一。
Dong Yuan opening of the southern Chinese landscape sent Jing Hao confrontation with one of the two schools.
从王鉴的三个创作时期可以看出，其主要取法董源、巨然以及王蒙。
It is observed from these three stages of painting that his style and technique derived from Dong Yuan, Ju Ran and Wang Meng.
可见在董源擅长的诸多画科中，山水画是他最富成就的画科，具有划时代的意义。
Can be seen in the many good paintings Dong Yuan, in which most of his achievements in landscape painting subjects, epoch-making significance.
宋代(公元960——1279年)山水画家最有代表性的要数李成、范宽、董源、巨然四人。
During the Song Dynasty (960 — 1279 A. D.), the most representative landscape painters included Li Cheng, Fan Kuan, Dong Yuan and Ju Ran.
但可以确信，用水墨专写江南真山的董源开创了被今人称之为“江南水墨山水画派”(北宋米芾呼之为“江南画”)。
But can be convinced to write with ink specifically true mountain south Dong Yuan created by modern people call "Southern Water and ink painting School" (Song Mi call it as "Southern painting").
此后，有关史籍皆没有载录董源在SouthernTang末年的活动，极可能逝于南唐末年，享年约七十岁左右。
Since then, the history books are not reproduced in the Southern Tang dynasty, Dong Yuans activities, most likely died in Southern Tang Dynasty, at the age of about seven years old or so.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
应用推荐