城中的一位法官趋前言道，请给我们讲讲罪与罚。
Then one of the judges of the city stood forth and said, "Speak to us of Crime and Punishment."
罪与罚专栏詹姆士·福克斯2010年12月8日。
Posted by James Alan Fox, Crime and Punishment, December 8, 2010.
杜思托也夫斯基《罪与罚》卷三完、卷四、卷五。
Dostoyevsky. Crime and Punishment. Part III, 4-end, Part IV, Part V.
就像罪与罚，这里没有度量和测量去估量价值，这关系到态度问题。
Like crime and punishment, there is no metric or measurement to calculate value, it's a feeling.
他返回到陀思妥耶夫斯基作品区间，找到了《罪与罚》。
He went back to the Dostoevsky section and found Crime and Punishment.
包公听讼断狱故事，突出的也是“罪与罚”的价值取向。
The anecdote about how Justice Bao hears a case obviously highlights its value-orientation over "crime and punishment".
罪与罚是永恒的主题，我们可以将之追溯到有关原罪的传说。
Guilt and punishment is a permanent theme, which we can trace back to the legend of original sin.
它能告诉我们，这个社会的真理，有关罪与罚，有关爱于善。
It tells us the truth of this society, the Crime and Punishment, the love of the good.
至此，罪与罚主题完成了一个循环，由哲学命题回归为哲学命题。
Thereupon, the development of the motif of crime and punishment forms a cycle that both started and ended as a philosophical proposition.
因为只有它，而不是你们的神性或雾中的侏儒，才能了解罪与罚。
For it is he and not your god-self nor the pigmy in the mist, that knows crime and the punishment of crime.
偷窃和破坏公物的行为在新加坡几乎不见的因为罪与罚是在完全不对等。
Theft and vandalism are very rare occurrences there precisely because the punishment feels completely out of balance with the crime.
这就像大多数公司理解价值，如西方对罪与罚的概念-他们相信价值是产生于当你所得和付出相当时。
The problem is most companies perceive value like the Western notion of crime and punishment - they believe value is created when what you get and what you pay feel equal.
贯穿整个小说的主题是爱、法律和职责，这使其成为陀思妥耶夫斯基在《罪与罚》之后最好的一本书。
Throughout are themes of love, law, and duty, which makes this one of the best Dostoyesky books to read besides Crime and Punishment.
有负罪感（或负债感）的谋杀犯，是陀思妥耶夫斯基作品的主题，尤其是在《罪与罚》（1866）中。
The theme of murder from a sense of guilt (or ‘debt’) was central to Dostoevsky’s writings, particularly to Crime and Punishment (1866).
爱、法律和责任的主题贯穿全书，是陀思妥耶夫斯基的书中除《罪与罚》之外最值得阅读的一本。 。
Throughout are themes of love, law, and duty, which makes this one of the best Dostoyesky books to read besides Crime and Punishment.
其中一个场景描述的是罪与罚的主角正在用斧头砍向两个女人，另外一个是一个男人用枪指向自己的脑袋。
One image shows the "Crime and Punishment" protagonist murdering two women with an ax, and another shows a man holding a gun to his head.
这些信条在古代印度盛行；古代波斯和袄教徒也是如此。在中国，祈求阿弥陀佛也是对极大的罪与罚的宽恕。
These doctrines prevailed anciently in India; also among the ancient Persians, and Parsees. In China, the invocation of Omito was held to remit the punishment of the greatest crimes.
这里没有尺度和估算去衡量罪与罚，我们单单用刑法在两者之间画出等号或者用刑罚补救，直到我们觉得足够了为止。
There is no metric or calculation for a crime and the punishment it should receive. We simply draw an equals sign between the two and tinker with the punishment until it feelsequal to the crime.
本文在欧洲文学和俄罗斯文学的大背景上对陀思妥耶夫斯基的长篇小说《罪与罚》的艺术内容和艺术形式进行了新的评价。
In the context of European and Russian literature, the dissertation reappraises the artistic content and form of "Crime and Punishment", the novel of Dostoevsky.
本文试图对这部作品进行文本分析，并通过文本揭示卡夫卡的作品所特有的梦幻性的特征和卡夫卡作品中一个重要的主题：罪与罚。
And based on the result of the analysis, he tries to point out a distinguishing feature of Kafka s work: crime and punishment, an dreamlike and important theme.
1953年他创作的《罪与罚》漫画版本有鲜明的非dostoievskian似笨蛋的闹剧的内容，但也提及Tezuka笔下一般人物的浮雕宝石。典型的Tezuka人物会突然冒出他的标志性口号：“在这儿撞见你啦，哈！”
His 1953 manga version of Crime and Punishment has pages of distinctly non-Dostoyevskian slapstick, and a cameo by a regular Tezuka character who pops up to shout his catchphrase: "Here t 'meet ya!"
1953年他创作的《罪与罚》漫画版本有鲜明的非dostoievskian似笨蛋的闹剧的内容，但也提及Tezuka笔下一般人物的浮雕宝石。典型的Tezuka人物会突然冒出他的标志性口号：“在这儿撞见你啦，哈！”
His 1953 manga version of Crime and Punishment has pages of distinctly non-Dostoyevskian slapstick, and a cameo by a regular Tezuka character who pops up to shout his catchphrase: "Here t 'meet ya!"
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