现实主义为作品提供了环境、人物性格和细节的真实性，象征主义拓展强化了作品的意象、审美境界和形上意义。
The realism provides the works with the surroundings, characters' disposition and the detailed truthfulness, while symbolism broadens the works with imagery, aesthetic realm and spiritual meaning.
他坚持艺术内容的真实性，描写的客观性，环境的典型性，创作风格总体是现实主义的。
He adheres to the truthfulness of the content, the objectivity of description and the typicalness of environment. His style of writing is overall realism.
作为现实主义意义核心的真实性与典型性原则，在他们看来已经失去意义。
However, the core of realism, "authenticity" and "typicalness" are no longer meaningful to them.
其文学作品中大量采用了现实主义的创作手法，主要体现在笛福笔下的人物真实性、时间真实性、细节描写的真实性等几方面。
The realistic creation tactics in his literary works were greatly showed from such aspects as authenticity of characters, time and detail description under his pen.
“真实性”是现实主义小说人物塑造的核心原则。
"Facticity" is the core principle on how to figure out the characters in the fictions.
如果我们仍然借用现实主义这个词语的话，从现实性到真实性再到真相性，这是一个否定之否定的过程。
If we still use the word of realism, from reality to truth, and finally to fact, it is a process of negating negation.
真实性，现实主义在艺术或文学中将事物，行为或社会状况按其起初情况进行的表现，而不用模糊的形式来表现或理想化。
The representation in art or literature of objects, actions, or social conditions as they actually are, without idealization or presentation in abstract form.
托尔斯泰对文学真实性的看法有着双面性，既包含了现实主义的真实即生活的真实，也包含了浪漫主义的真实即情感的真实或天国的真实。
Tolstoys view on literary reality was dual, which included realistic reality and romantic reality, namely, reality in life and emotional reality in heaven.
托尔斯泰对文学真实性的看法有着双面性，既包含了现实主义的真实即生活的真实，也包含了浪漫主义的真实即情感的真实或天国的真实。
Tolstoys view on literary reality was dual, which included realistic reality and romantic reality, namely, reality in life and emotional reality in heaven.
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