李、杨爱情故事的悲剧母题从《长恨歌》到《梧桐雨》有一个嬗变的过程。
It's a changing process for the original tragic theme of Li and Yang's love story.
另外,这本《中国文学史》还说《梧桐雨》的转折点是在第三折,其实应在第二折。
In addition, "China literature history" said that the turning point of "Wu Tong Rain" was in the third section but actually it should be in the second section.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠,这两部作品凝聚着中国古典悲剧艺术的精华,采取几乎相同的艺术手法,营造了悲苦的艺术境界。
Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠,这两部作品凝聚着中国古典悲剧艺术的精华,采取几乎相同的艺术手法,营造了悲苦的艺术境界。
Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
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