徐渭的一生充满坎坷与不幸,令人唏嘘。
徐渭的泼墨写意花鸟画,别开生面自成一家。
Xu Wei's"freehand ink"painting techniques for the bird, spectacular dreams of.
第二部分,主要论述了徐渭诗歌风格的审美取向。
Part Two: mainly discuss Xu Wei's aesthetic features of his poetry style.
首先,是徐渭对诡异甚至狰狞意象的捕捉与运用。
First, Xu Wei's pursued and used bizarre and ferocious image.
深沉强烈的悲剧意识是徐渭绘画意象的最根本特征。
Deep and strong tragic sense is the most essential feature of Xu Weis painting imago.
徐渭的狂狷人格体现在诗文创作中,则突出地表现为愤世嫉俗的反抗精神。
Xuwei's maniac personality which was in his poetry creation had displayed the resistant spirit outstandingly.
第一章剖析袁宏道对徐渭的推崇与激赏,探究近代徐渭诗文研究模式的历史成因。
In Chapter One, the author firstly investigates the modern research mode of Xu Wei's poems and articles, and probes into the cause of the research mode.
徐渭戏剧艺术成就是中国古代戏剧史的重要内容,也是研究中国古代戏剧不可回避的对象。
Xu Wei's drama achievement is the important of ancient Chinese drama art history, is also inescapable object on studying ancient Chinese drama.
徐渭在人格上对自我的重视折射在他的诗文创作中,则体现为自我表现意识和个性精神的突出。
Xu weis value of the ego in character reflected in his poem and prose creation and embodied as the prominence of self expression consciousness and spirit of individual character.
晚年的徐渭追求心灵的平静自足,所作诗歌也渐老渐熟,师法造化,有平淡自然、真率朴直之美。
In his late years, Xu Wei pursued tranquility of soul and his poetry became mature with the beauty of naturalness and simpleness.
徐渭的诗激昂慷慨,充溢着建功立业的豪情,主要表现在:第一,诗歌构思不拘常规,想象奇特;
These are manifested as the following: First, his poetry is unconventional and full of peculiar imagination.
徐渭的精神痛苦曾得到三次弱化,与此相应其散文的情感基调发生了从“悲愤”到“悲哀”的转变。
Xu Wei's mental sufferings got weakened for three times, and subsequently the affective keynote of his prose converted from "indignation" to "grief" as years passed.
该文以徐渭的哲学思想为基础,探讨其与王阳明心学的关系,认为王阳明心学是徐渭哲学思想的主要渊源。
This article tries to discuss the relation between Xu Wei's philosophic thought and Wang Yangming's mind school, arguing that the latter is the genesis of the former.
该文以徐渭的哲学思想为基础,探讨其与王阳明心学的关系,认为王阳明心学是徐渭哲学思想的主要渊源。
This article tries to discuss the relation between Xu Wei's philosophic thought and Wang Yangming's mind school, arguing that the latter is the genesis of the former.
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