作为一名摄影师和一名“异教”表演者，曾广智的作品成熟于八十年代，并成为那个时代辛辣的诠释者。
As a photographer and unorthodox performer, Tseng Kwong Chi was one of the most pungent commentators on the eighties, the decade that coincided with his mature work.
在他最大规模的系列作品《东方会见西方》里(East Meets West)，曾广智既是摄影师又是被摄影的对象。
In his most extensive series - East Meets West (also known as The Expeditionary series) Tseng was both photographer and subject.
因此，人多智广，前提是在答案计入统计之前，保持沉默。
So there is wisdom in numbers—as long as those numbers keep quiet until they’re counted.
她解释说，改成“智雷”这个读音是2010年广受舆论关注的智利矿难不经意间造成的，那次矿难最近还被拍成了有争议的英语电影《33名矿工》。
She explains that the switch to CHEE-lay was an unintended consequence of the highly publicized 2010 mine collapse in Chile, recently dramatized in the controversially English-language film The 33.
她解释说，改成“智雷”这个读音是2010年广受舆论关注的智利矿难不经意间造成的，那次矿难最近还被拍成了有争议的英语电影《33名矿工》。
She explains that the switch to CHEE-lay was an unintended consequence of the highly publicized 2010 mine collapse in Chile, recently dramatized in the controversially English-language film The 33.
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