川端康成一生与美术结下不解之缘。
Yasunari Kawabata kept a close relationship with art in his whole life.
川端康成是日本文学现代派的开山祖师之一。
Kawabata is one of the pioneers of modernism in Japanese literature.
川端康成的《雪国》是一部具有恒久艺术魅力的名作。
The Snow World wrote by Kawabata Yasunari is a famous masterpiece with unvarying artistic fascination.
意识流作为一种创作手法。与川端康成的创作理念是相辅相成的。
As a creation technique, the stream of consciousness is closely interrelated to Kawabata Yasunari's creation philosophy.
川端康成的《名人》塑造了一位视围棋艺术为生命的卓越棋手形象。
Yasunari Kawabata's "Celebrity" created the image of a superb master who cherished Go art as life.
日本作家川端康成，其文学悲凉格调的形成与他的孤儿心态有很大关系。
For the Japanese writer Chuanduan Kangcheng, there is much relation between his sad literary style and his orphan mood.
日本等国研究成果的译介、中国比较文学的兴起推动了川端康成研究进程。
The introduction of Japan's research into China, and the arising of the comparative literature in China all together promote the research of Kawasaki Yasunali.
日本文学从整体上而言，是偏向于描摹悲哀之美的，而川端康成又是其中的代表。
As a whole, depicting the beauty of sadness is a preference in Japanese literature.
文学大师川端康成将东方传统美于西方现代派手法相结合，创作了传世之作《雪国》。
The literary master Kawabata Yasunari completed his great work Snow Country, combining the traditional oriental beauty and the western modern writing skills.
本文从文学、美学、哲学三方面论说川端康成游记，探讨其独特卓异的旅游文化意义。
This paper discusses his travel writings in literary, aesthetic, and philosophical perspectives and probes into the peculiar touristic cultural meanings in his works.
展示日本民族文化的精神美，是川端康成创作的追求，也是他获得诺贝尔文学奖的主要因素。
The display of beauty of Japanese native culture is the pursuit of Yasunari's creation and this is the main reason why he won the Nobel Prize of Literature.
它借爱情反映现实生活，写出了对人生悲哀、虚无的感受，体现了川端康成的“回归传统”情结。
Snow Country reflects the real life through love stories and describes the feeling of sorrowful and vacant life, and incarnates Kawabata Yasunari's complex of"return to the tradition".
1976年，爱德华。赛丹施蒂的版本面世，此前翻译诺贝尔文学奖得主川端康成的小说而蜚声学界。
In 1976 Edward Seidensticker, an academic already celebrated for his translations of Yasunari Kawabata, a Nobel prize-winning novelist, brought out a new version.
川端康成如此热衷于写死亡的主题，是与他的生活经历、人生观、美学观以及他生活的时代分不开的。
Kawabata Yasunari 's keenness on writing the death theme was not able to separate him from his experience of life, outlook of life, aesthetic standards and his age as well.
日本当代著名作家大江健三郎是继川端康成之后日本第二位诺贝尔文学奖获得者，是日本战后文学的杰出代表。
Ooekenzaburo is an outstanding representative of the post-war literature in Japan, who is also the second winner of Nobel Price for literature after Kawabata Yasunari.
为了克服对死亡的恐惧，为了寻回失去的亲情和爱情，青年时期的川端康成认同了佛教“轮回转生”的世界现。
To overcome his fear for death and to seek the lost intimacy in families, Kawabata Yasunari accepted Buddhist metempsychosis.
第二章主要梳理川端康成小说中爱情观念的变化过程，并探讨川端康成影响的爱情体验与其笔下爱情面貌的关系。
The second chapter mainly deals with the concept of love's changing process in Kawabata's novels, and explores the relation of Kawabata's love experience and the love depicted by his pen.
川端康成曾以《雪国》、《古都》、《千只鹤》等作品成为继泰戈尔之后，第二位获得诺贝尔文学奖的亚洲作家。
Yasunari Kawabata(1899-1972), the second Asian writer winning the Nobel prize for literature after Tagore, is famous for such works as Snow Country, Thousand Cranes, The Old Capital, etc.
日本诺贝尔文学奖获得者川端康成和大江健三郎以自己出色的文学创作向世界展示了“美丽的日本”与“暧昧的日本”。
Kawabata Yasunari and Kenzaburo Oe, the winners of Nobel Prize for literature, show the beautiful Japan and the ambiguous Japan to the world with their remarkable literary works.
本文试图从社会批评、女性批评的角度，采用比较研究的方法，分三个部分对川端康成中间小说作一番系统的阐述与探讨。
From the social and female research angles and by using the comparative methods, the thesis tries to make a systematic exposition and exploration for these works from three parts.
“死亡”是沈从文和川端康成的小说表现的共同主题，但是由于文化的差异，又使他们在表现死亡主题时呈现出彼此不同的面貌。
"Death" is the common theme in Shen Congwen's and Kawabata Yasunari's fiction, but their works differ in their respective expressions due to their cultural differences.
“死亡”是沈从文和川端康成的小说表现的共同主题，但是由于文化的差异，又使他们在表现死亡主题时呈现出彼此不同的面貌。
"Death" is the common theme in Shen Congwen's and Kawabata Yasunari's fiction, but their works differ in their respective expressions due to their cultural differences.
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