音乐中切分音的大师是斯考特·乔普林，他是位非裔美国作曲家，二十世纪之际在圣路易斯地区附近谱写了很多曲子。
The master of syncopation in music was Scott Joplin, African American composer writing a lot around the area of St. Louis at the turn of the twentieth century.
好了，这就是切分音，也并非很难理解。
Okay. So that's what syncopation is and it isn't much more difficult than that.
当然，切分音和蓝调只是爵士的一部分。
Of course syncopation and blues are only part of the jazz picture.
什么是切分音？
注意第二乐句中的切分音，重音在第一拍之后出现。
Notice syncopation in the second phrase where the accent falls after the first beat.
注意第二乐句中的切分音，重音在第一拍之后出现。
Notice syncopation in the second phrase where the accent falls after the firstbeat.
音乐非常迅速、刺激、最重要的是，它由切分音组成。
It's very fast, it's exciting, and most importantly, it's syncopated.
你们还称其为结尾的“毒刺”吗，类似于结尾部分的切分音。
Do you still call it that, "Stinger" at the end, sort of a syncopated bounce at the end of the thing?
这便产生了切分音的效果。这种切分音是爵士音乐的另一个特征。
This produces an effect called syncopation& another characteristic of jazz.
好的，现在用手拍椅子，或者笔记本，电脑，随便什么，来按照这个模式做切分音。
Okay. Now take your hand on a chair or your notebook, your computer or whatever, and do syncopation off of that according to this pattern.
我们想要强调这个切分，然后，当然，在强拍的位置就不发声了，这才构成切分音。
So, we wanted to bang that syncopation and then, of course, there's no sound on the downbeat over here to make the syncopation work.
所以，从散拍音乐的切分音和蓝调音阶到大乐团和即兴演奏，爵士的起源还真是复杂。
So from ragtime's syncopation and the blues scales to big bands and improvisation, jazz has some complicated roots.
爵士乐从散拍音乐借用了切分音的节奏，也正是切分音为今日爵士乐注入了生气与活力。
Jazz music borrowed syncopated rhythms from ragtime, and syncopation is what makes jazz the lively, energetic music that it is today.
就是这种方式，一，它演奏八分音符，一大，二大，有切分音的地方，节拍被细分了，就像这样。
In that fashion, one — it's playing eighth notes, one-and, two-and; it's subdividing the beat whereas the syncopation -it's there, and so on.
说到使用切分音的大师,我们自然想到斯考特·乔普林,是位多产的美国黑人作曲家,二十世纪初居住在圣路易斯地区
Now the master of syncopation, of course, in music was Scott Joplin, African American composer writing a lot around the area of St. Louis in the turn of the twentieth century.
《疯狂的女孩》（1930）包含了乔治·格什温的最美妙的两首切分音歌曲“拥抱你”和“我的节奏”。
Girl Crazy (1930) contained two of Gershwin's most subtly syncopated songs, "Embraceable You" and "I Got Rhythm.
此后几十年合作生涯，布鲁贝克的双手和弦以及保守运用切分音的演奏风格，同戴斯蒙德流动而抒情的柔和声线交相辉映，配合默契。
For decades to come, Brubeck's two-handed chordal playing and sparing use of syncopation would beautifully complement Desmond's floating and lyrical lines.
这件武器就是迪兹·吉莱斯皮——著名的爵士乐演奏家。美国当时给他的任务是用“节奏和切分音”改变世界对美国文化的看法。
That weapon was Dizzy Gillespie, a famed jazz musician, who was given the task of changing the world's view of American culture through rhythm and syncopation.
这件武器就是迪兹·吉莱斯皮——著名的爵士乐演奏家。美国当时给他的任务是用“节奏和切分音”改变世界对美国文化的看法。
That weapon was Dizzy Gillespie, a famed jazz musician, who was given the task of changing the world's view of American culture through rhythm and syncopation.
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