对大型婚礼而言，最好能请一支伴舞乐队。
这个在伴舞乐队里弹奏手风琴的人曾是个会计。
The man who played accordion in the dance band was once an accountant.
他们的父亲是伴舞乐队的指挥，他们的母亲教授合唱。
Their father was a bandleader and their mother taught harmony singing.
他们的父亲是伴舞乐队的指挥，他们的母亲教授合唱。
Their father a bandleader and their mother taught harmony singing.
1936年他与一个弦乐四重奏一起演出，后来将乐队扩展为更传统的伴舞乐队。
In 1936 he performed with a string quartet, later expanding the group into a more conventional dance band.
艾灵顿和这一地区诸多的伴舞乐队一样，立刻认识到了这一来自新奥尔良的充满活力的新式乐音潜力无限。
Like many dance-band musicians of that era, Ellington quickly realised that the vibrant new jazz sounds coming up from New Orleans represented a potent source of new ideas.
南顿和巴伯·米雷一样，在表演中广泛采用模糊手法，模拟人声，渐渐地令音乐脱离了传统伴舞乐队的那种“甜美”声线。
Like Bubber Miley, Nanton extensively used rough-edged, slurred and vocalised sounds, which wrenched the music away from the traditionally "sweet" sounds of a conventional dance band.
只活跃在小型俱乐部里的是四重奏和五重奏的实况演奏。柯川很幸运地被两位高超的伴舞乐队指挥和老师雇佣，他们是迈尔斯•戴维斯和赛罗尼斯-蒙克。
The fizz was in small clubs where quartets and quintets played live, and Col trane was lucky to be hired by two superb bandleaders and teachers, Miles Davis and The lonious Monk.
只活跃在小型俱乐部里的是四重奏和五重奏的实况演奏。柯川很幸运地被两位高超的伴舞乐队指挥和老师雇佣，他们是迈尔斯•戴维斯和赛罗尼斯-蒙克。
The fizz was in small clubs where quartets and quintets played live, and Col trane was lucky to be hired by two superb bandleaders and teachers, Miles Davis and The lonious Monk.
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