应答叙事贯穿于中国女性文学中的整体叙事之中。
RNCFL runs through the overall narration in the Chinese female literature.
世纪之交的中国女性文学研究,在实践、探索中走向丰富和深邃。
The study of China's female literature at the turn of the century is growing into richness and profundity in practice and exploration.
在中国女性文学史中存在着两种基本的叙事视角:平稳叙事和倾斜叙事。
There are two perspectives of narration in the history of the Chinese female literature: balanced narration and inclined narration.
从2 0世纪中国女性文学中我们可以发现中国女性追寻理想爱情的艰难历程。
From the 20th century feminine literature, we can see the zigzag road that Chinese women had gone through searching for ideal love.
中国女性文学研究从学科意识的萌发到学科理念的形成,经历了近2 0年的实践过程。
To be a discipline the woman literature in China has experienced practicing for nearly 20 years; it is now on the course of its disciplinization.
中国女性文学既要保持自尊、自强、自立的女性精神,更要有博大宽广的人文情怀和社会责任感。
Chinese feminine literature should strive to keep the feminine spirits of self-esteem, confidence and independence, more importantly, seek for more broad senses of humanity and social responsibility.
20世纪90年代以来的女性自传体小说作为中国女性文学的一部分,呈现了前所未有的女性话语姿态。
Female autobiographical novels as a part of Chinese female literature in 90 ~ s of 20th Century manifest an inimitable female speech locution.
美国女性主义批评一度忽略女性的个体差异以及妇女文学创作的审美价值,这对中国女性文学研究也有一定影响。
American feminist criticism once neglects the individual differences and the aesthetic value in woman literary creation, which also makes a certain impact on Chinese woman literature.
在他的行为先导下,中国的女性作家作为一个不容忽视的群体力量跨入文坛,从而掀起了中国女性文学的破茧而出。
Under his leading, the Chinese feminine writers appeared in the literature field as a significant group power, and led the appearance of the Chinese feminine literature.
这两种基本的叙事视角又与女性的两种基本生存场景之间存在着共振式的应答关系 ,称之为中国女性文学的应答叙事。
These two perspectives of narration have a resonant relationship with the two basic existential situations, which is known as Responsive Narration in the Chinese Female Literature(RNCFL).
丢弃神话,确立女性文化意识,是中国女性文学为寻找女性真实身份而奋斗的真实历程,也是最内在的妇女解放的标志之一。
To discard the myths and establish female culture consciousness is not only the real experience of Chinese female literature for real identity, but also one of the innermost signs of women liberation.
虹影作为中国当代女性文学的代表作家之一,素来是“墙里开花墙外香”,她的创作理应受到国内文坛的重视。
As one of the representative writers of contemporary Chinese feminist literature, Hong Ying is much more famous abroad than at home, and her works should be valued greatly in Chinese literary circles.
恋虐情结在中国当代女性文学中泛滥,作品中的女性,要么远离人群,要么在人群中放纵。
Loves the oppressive complex to be in flood in the Chinese present age feminine literature, in the work female, either is far away the crowd, either is indulges in the crowd.
从而把握她们所开创的中国现代女性文学的新传统和思想艺术价值。
To master the new tradition of Chinese modern female literature and the value of mind and art created by the "new Lady Genre".
中国新时期的文学创作与女性文学批评,明显受到西方女性文学批评理论的影响。
Literary creation and feminine literature criticism of China in the new period have clearly been affected by theories of western feminine literature criticism.
两千多年的中国男权历史,是女性文学和女性意识几近失声的历史。
The china male chauvinism history longer than tWo thousand years, is thenistory that the female literature and the female consciousness were almost lost.
二十世纪八九十年代女性文学在传统女性文学的基础上发生嬗变,在中国文坛上引起巨大的震撼。
Feminine literature, with its basis on traditional women literature in the last two decades of the 20th century, shocked the Chinese literary circles.
二十世纪八九十年代女性文学在传统女性文学的基础上发生嬗变,在中国文坛上引起巨大的震撼。
Feminine literature, with its basis on traditional women literature in the last two decades of the 20th century, shocked the Chinese literary circles.
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