原子旁边的庞然大物;一堵孤立的墙和一只破汤罐;一切残渣废物的触目惊心的结合;西绪福斯①在那里抛下了他的岩石,约伯也在那里抛下了他的瓦碴。
The mass beside the atom; the strip of ruined wall and the broken bowl,--threatening fraternization of every sort of rubbish. Sisyphus had thrown his rock there and Job his potsherd.
这使我们想到了加缪笔下作为一个原初当代艺术家的西绪福斯,以及他作为一种当代的、以时间为基础的艺术的原型的无目的无意义的活动。
One is reminded here of Camus' Sysiphus as a proto—contemporary artist – and his aimless, senseless activity as a prototype of the contemporary time—based art.
这使我们想到了加缪笔下作为一个原初当代艺术家的西绪福斯,以及他作为一种当代的、以时间为基础的艺术的原型的无目的无意义的活动。
One is reminded here of Camus' Sysiphus as a proto—contemporary artist – and his aimless, senseless activity as a prototype of the contemporary time—based art.
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