哪一位去往南京转，与我那三郎把信传。
Who is going to Nanjing, please give me my love this message, that is Susan is dead.
大江健三郎是日本存在主义文学的代表作家。
Kenzaburo Oe is a representative writer of Japanese existentialism literature.
奥兰多哈德逊牺牲了年轻的第二和三郎故意走着。
Orlando Hudson sacrificed Young to second and Byrnes was intentionally walked.
于是警察逮捕了说谎的大江健三郎，数日后执行枪决。
Therefore police have arrested Kenzaburou Ooe who lies, after several days, carries out executes by shooting.
大江健三郎是1994年荣获诺贝尔文学奖的日本作家。
Oekensaburo is the Japanese writer who won the Nobel Prize for Literature in 1994.
第二部分对大江健三郎的生活及其文学生涯作简单地回顾。
The second section reviews Kenzaburo Oe's life and literature career simply.
大江健三郎是日本战后文学的代表，作品极具现代性和世界性。
Ooekenzaburo, on the other hand, is the representative of the post-war literature in Japan and his works embody modernity and universality.
更重要的是，我们可以从中窥视到大江健三郎独特的生存方式。
More importantly, the existing philosophy of Oe's can also be seen through clarifying his connotation of "forest thought".
拼命三郎火星进入处女座，关于你扩展，教育和全球事务中的第九宫。
Go-getter Mars moves into Virgo, your ninth house of expansion, education and global affairs.
警察：“健三郎先生，是不是因为你想得到这个文学奖而把康成先生杀害了？”
Police: "is healthy third son gentleman, because you want to obtain this prize in literature, but has killed Mr. Kang Cheng?"
这是一套76年版的《鲁迅手稿全集》影印本，大江健三郎觉得比他在美国看到的还珍贵。
It made Kenzaburo Oe feel very flattered because that was even much more precious than the version he red before.
大江健三郎是日本战后派“第三代新人”后最重要的作家，为1994年诺贝尔文学奖得主。
Kensaburo Ohe, as the laureate of Nobel Prize for Literature in 1994, is the most important writer among Japanese post-war school after "the Third New Generation".
庄三郎剪刀是采用高级钢铁制作，符合人体工学的设计，即使在长时间的裁缝作业中，手也不容易觉得疲劳。
Zhuang saburo scissors are advanced steel production, ergonomic design, even in the long time of tailor assignments, hand also not easy to feel tired.
每天早上，八公都在家门口目送着上野秀三郎出门上班，然后傍晚时分便到附近的涩谷火车站迎接他下班回家。
Every morning, eight mr. s are at home watching Ueno Xiumiro go to work, and then in the evening went to the vicinity of the Shibuya train station to meet him back home.
日本当代著名作家大江健三郎是继川端康成之后日本第二位诺贝尔文学奖获得者，是日本战后文学的杰出代表。
Ooekenzaburo is an outstanding representative of the post-war literature in Japan, who is also the second winner of Nobel Price for literature after Kawabata Yasunari.
帮助大江健三郎获得诺贝尔文学奖的代表性作品，主要是《万延元年的足球队》、《个人的体验》等再生原型文本。
Kensaburo Oe's the main representative text of winning the Nobel Prize for Literature is the regenerative text as follows:The Football Team in Wan Yan's the Fist Year and One's Own Experience, etc.
日本诺贝尔文学奖获得者川端康成和大江健三郎以自己出色的文学创作向世界展示了“美丽的日本”与“暧昧的日本”。
Kawabata Yasunari and Kenzaburo Oe, the winners of Nobel Prize for literature, show the beautiful Japan and the ambiguous Japan to the world with their remarkable literary works.
本论文从《燃烧的绿树》、《空翻》这两部代表作出发，重点探究大江健三郎90年代以来的小说创作中体现出的新变化。
This thesis researches into the novel creation of kensaburo Oe since 1990 by the analysis of "The Burning Flourishing Tree" and "Somersault Without Moving Forward".
一般认为，大江健三郎的早期作品《死者的奢华》反映了战后日本青年虚无的一面，是地地道道的萨特存在主义风格的小说。
General speaking, the Oekenzaburo's early novel "the Sumptuosity of the Dead" reflects the nothingness of Japanese youngsters postwar which has really the Sartre's style of Existentialism.
一般认为，大江健三郎的早期作品《死者的奢华》反映了战后日本青年虚无的一面，是地地道道的萨特存在主义风格的小说。
General speaking, the Oekenzaburo's early novel "the Sumptuosity of the Dead" reflects the nothingness of Japanese youngsters postwar which has really the Sartre's style of Existentialism.
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