On the oil nationalization issue, today's oil sector seems to have reached a consensus, there is no need for debate.
关于油画民族化的大问题,今天油画界似乎已达成了共识,已无争论的必要。
The value of China's oil nationalization significance lies:on the one hand it is the "modern" painting an integral part of the structure;
中国油画民族化的价值意义就在于:一方面它是中国“现代性”绘画结构中的有机组成部分;
The issue of "sculpture nationalization" is different from the "oil nationalization, " also from "traditional Chinese painting improvement", the research on it is unique.
“雕塑民族化”这一课题,既不同于“油画民族化”,也不同于“国画改良”,对它的研究是特殊的。
But how in the oil nationalization in the oil or how the integration of Traditional spirit of Chinese painting and creative way of specific methods, there is still plenty of discussion.
但在油画如何民族化或者说如何在油画中融入中国画传统精神的具体途径和创作方法上,还有很多需要探讨的问题。
Since oil prices started rising in 2004, Russia, Venezuela, Bolivia and Ecuador have nationalized foreign-owned oil assets, the first big wave of nationalization since the 1970s.
自从原油价格从2004年开始上涨之后,俄罗斯,委内瑞拉,玻利维亚,和厄瓜多尔等国家都已经把他们国家内国外公司拥有的原油资产进行了国有化。这是从1970年以来第一次大规模的国有化浪潮。
In May, 2007, chavez ordered the nationalization of pumping and refining facilities in La Faja owned by foreign oil companies.
2007年5月,查韦斯下令将外国石油公司所有的位于La Faja的石油采集和精炼设备收归国有。
The article concludes and analyzes the strategic readjustment having been made by multinational oil companies since the oil resources nationalization wave.
总结并分析了石油资源国有化浪潮以来,跨国石油公司所做的战略调整。
The nationalization of Chinese oil painting is an important phenomenon in the contemporary history of Chinese arts.
“油画民族化”是中国现代美术史中的重要现象。
Dong Xiwen had a direct relation to the theory and practice of 'the Nationalization of Oil Painting'.
董希文与“油画民族化”理论以及实践有着直接的关系。
The author tries to use objective view to see the causes and the shortcomings of oil painting's Nationalization and also bring forward the outlook of Chinese oil painting.
笔者试图从尽量客观的视野来检视“油画民族化”的成因、弊端,并提出中国油画的出路。
In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of oil painting's Nationalization in the view of practices.
第三部分着重从实践的角度来分析目前中国油画取得的成就并不完全是在“油画民族化”的概念下进行的。
In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of oil painting's Nationalization in the view of practices.
第三部分着重从实践的角度来分析目前中国油画取得的成就并不完全是在“油画民族化”的概念下进行的。
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