古典主义和浪漫主义两种书法艺术思潮在天然的对立之后如何完美地融合在一起,共同支撑晚明书法艺术亮丽的天空,这是第二个焦点所在。
The second point is how classicism and romanticism calligraphy ideological trend to fuse perfectly together to support the latter Ming dynasty calligraphy after natural antagonism.
我国刑法在基本立场或基本精神上更加接近于古典派,更准确地说,是接近于新古典主义,带有明显的折衷或调和色彩。
As to the basic position and spirit, the criminal law of China is closer to the classical school, more exactly, the new classical school, which bears obvious characters of compromise or mediation.
这种冲击是巨大的,它迅速地改变了古典主义的面貌。
这种冲击是巨大的,它迅速地改变了古典主义的面貌。
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