Also online literature is really a form of popular literature.
而且，网络文学实际上是一种通俗文学。
Plentiful readers of popular literature is lack for serious literature.
通俗文学所拥有的庞大读者群是目前严肃文学最为匮乏的。
There is a tendency in the popular literature these days to use the word mint in a very general way.
当今在通俗文学中有一种倾向，就是薄荷一词成为一个很通用的说法。
As a new type of popular literature, fantastic literature has been closely related to new media.
作为一种新型通俗文学，玄幻文学一直以来都与新媒体有着密切的联系。
Chinese popular literature under the market linguistic context has its advantage and disadvantage.
市场语境下的中国大众文学优缺互见。
This is another proof of the value principle by which the popular literature is accepted by elite culture.
这从另一个角度也反证出通俗文学被精英文化接纳的价值原则。
How are your classes different from what's in all the popular literature out there on positive thinking and well-being?
你的课程和现在那些很受欢迎的关于积极思考的一些课程有什么区别呢？
Cowboy Myth, also the American Western Story, is a popular literature ardently loved by the Americans and the whole world as well.
“牛仔神话”即美国西部故事，是深受美国乃至世界各国人们喜爱的一种大众文学。
Today, with gradual amalgamation between elegance literature and popular literature, science fiction is the best embodiment of them.
在严肃文学与通俗文学界限逐渐模糊的今天，科幻小说成为二者融通的最佳体现者。
Informative show as complete as possible in "May Forth" times, popular literature in the subject, form, language those changes occurred.
尽可能完整翔实的展现在五四时期，通俗文学在题材、形式、语言方面发生了那些改变。
Quarterly China's first novel, "novel Grand" is a major publication which was born in the period of the popular literature transformation.
中国第一份小说季刊《小说大观》正是在通俗文学转型时诞生的一份重要刊物。
Writers of popular literature in Taiwan and Hong Kong succeed in gearing their works to the operation of the markets in an influential way.
台港通俗文学作家不但给读者展现了一幅幅台港地区发达、自由的商业社会光怪陆离的生活画面，而且还向我们提供了一种文学的生存方式。
The main causes of this phenomenon are the Enlightenment secular sense, new literary critical idea and the prosperity of popular literature.
其原因主要在于启蒙哲学思潮、市井世俗观念、新的文学批评思想的影响以及通俗文艺的繁荣。
In fact, the new changes to the modern literature at the same time, popular literature in this period has quietly completed its own transformation.
其实在新文学向现代形态转变的同时，通俗文学在这一时期也悄然完成了自身的转变。
If it is lack of accurate and standard translation annotation, the classical literary translated version will be degraded to the popular literature.
如果缺少准确规范的翻译注释，文学经典的译本可能被降格为通俗读物。
Chinese popular literature has the largest readership, but it is difficult for us to define it as a refined art and even more difficult to draw critics' attention.
中国通俗文学拥有最广大的读者群，却一直难登文学的大雅之堂，更难被批评家所关注。
Films, popular literature, and television foster the stereotype that a good leader is one who wields power visibly and says, "I'm in charge" in word, deed, and demeanor.
电影、电视和大众文学都在宣扬一种老套的管理模式，通过它们，一个好的企业领导总是被刻画成一个颐指气使的形象，并且在言行举止方面，总要摆出一副“我说了算”的架势。
Popular literature and even the total Chinese literature need both the guidance of elite consciousness and the participation of masses awareness on its way to future.
通俗文学甚至整个中国文学都需要在精英意识的指引下，在大众意识的参与中走向未来。
They thought popular literature ought to be characterized by a unique system of discourse, distinguishing itself from the traditional epic-centered elegant literature.
他们认为通俗文学应该有自己的一套话语体系，以区别于传统的以史传文化为中心的雅文学。
Unfortunately, there are very few cross-cutting research, and few people study the evolution of a traditional story of popular literature in different forms of folk art.
可惜的是，跨领域的研究极少，几乎很少有人去详细地考察一个俗文学传统故事在不同的民间文艺形式中的传播演变。
Popular literature breeds elegant literature, and in the meantime, it also cultivates numerous readers of the citizen stratum, even develops the modern literature market.
俗文学哺育了高雅文学，同时也培育了广大的市民阶层的受众，培育了现代文学市场。
As a popular literature writer of great literary talent who lived in the period of Ming and Qing Dynasty, Liyu made prosperous achievements in domain of novel, opera and others.
李渔是明清之际极富才情的通俗文学作家，在小说、戏曲等领域取得了令人瞩目的成就。
Besides that, popular literature is compared with some related notions, such as elegant literature, folk literature, public literature, pure literature, solemn literature and so on.
第一章界定了通俗文学、通俗小说等关键概念，并将通俗文学和其相关概念，如高雅文学、民间文学、大众文学、纯文学、严肃文学等作了比较。
Many modern history of literature's researchers acknowledged that the new-vernacular literature and the popular literature are not the hostile relations, but is the supplementary relations.
许多现代文学史的研究者都承认新文学与通俗文学不是敌对关系，而是互补关系。
Many modern history of literature's researchers acknowledged that the new-vernacular literature and the popular literature are not the hostile relations, but is the supplementary relations.
许多现代文学史的研究者都承认新文学与通俗文学不是敌对关系，而是互补关系。
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