• In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.

    在英国现代主义萌芽于1900年左右,体现在亨利·詹姆斯,的后期小说,艾略特和艾兹拉·庞德的诗歌上。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Yeats is, in fact, a far less nostalgic thinker than either Eliot or Pound, at least as I understand them.

    其实叶芝不如,艾略特或庞德那么怀旧,至少我是这么理解的。

    耶鲁公开课 - 现代诗歌课程节选

  • It's also related to Ezra Pound's Cantos, but I'm not going to burden you with that right now.

    这也同时和庞德的《诗章》有关系,但我不准备现在就让你们回答。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In a way, this call for that which is new is worldwide; at the same time you have Ezra Pound among the high Modernists in the West saying, "Make it new," as his slogan.

    这在一定程度上引起了全球追求新奇的热潮;,在同一历史时期我们还能看到,西方后现代主义诗人埃兹拉·庞德将,让事物新奇起来,是他的口号。

    耶鲁公开课 - 文学理论导论课程节选

  • Compare the footnotes in the Frost poems to the footnotes in The Norton that you find next to Eliot or Pound's poems.

    把弗罗斯特的脚注跟诺顿的比较,就是在艾略特和庞德旁边的那个。

    耶鲁公开课 - 现代诗歌课程节选

  • Here's a copy of a letter to Pound by Yeats when they were both living in London.

    这有一份叶芝写给庞德的信,他们当时都住在伦敦。

    耶鲁公开课 - 现代诗歌课程节选

  • The period of Pound's influence coincides with Yeats's significantly titled book Responsibilities.

    庞德影响他的这一时期,他写了名为责任的一书。

    耶鲁公开课 - 现代诗歌课程节选

  • Modernism in Eliot and Pound is, in some ways, founded on expatriation, on a kind of internationalism.

    艾略特和庞德的现代主义在某种程度上是,建立在他们被驱逐国外后的一种国际主义。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound and Eliot importantly go to London, Paris.

    庞德和埃利奥特去了伦敦和巴黎。

    耶鲁公开课 - 现代诗歌课程节选

  • This is 1913, Pound in London, styling himself, isn't he, after those Renaissance artists and poets whom he would write about, translate in this period.

    这是1913年庞德在伦敦,图如其人,不是吗?,这是在他所要写到的那些文艺复兴时期的艺术家,和诗人的思想被很好的表达出之后拍摄的。

    耶鲁公开课 - 现代诗歌课程节选

  • Think of how far away this is from Ezra Pound in St. Elizabeth's Hospital.

    想想从圣伊丽莎白医院里的庞德,过渡到她的距离有多远。

    耶鲁公开课 - 现代诗歌课程节选

  • As I said last time when I showed you that letter to Pound, Yeats's London apartment is essentially across the street from where the number 30 bus blew up.

    上一次我说,当我给你们看他给庞德的信时,叶芝在伦敦的寓所,正好在30路车爆炸,的那条街的对面。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound goes to work on Yeats, goes to work on his poetry and helps modernize him, although I think in lots of ways the influence went just as much the other way.

    庞德转而研究叶芝和他的诗,并帮助他往现代主义转变,尽管我认为在很多方面,是叶芝影响了庞德

    耶鲁公开课 - 现代诗歌课程节选

  • Let's look, for example, at a series of photos of Ezra Pound.

    比如,我们可以看庞德的一系列照片。

    耶鲁公开课 - 现代诗歌课程节选

  • I could never make a merit of being caviare to the crowd the way my quasi-friend Pound does. I want to reach out, if it were a thing I could do by taking thought.

    我不能因为创作大众的阳春白雪而夸耀,就像我的半个朋友庞德一样,我希望伸展开来,如果这是我动脑经就能完成的事。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound, you'll see keeps turning up in all of these stories.

    你们会发现庞德,在这些故事里经常出现。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound Ezra Pound is Yeats's younger friend.

    艾兹拉·庞德是叶芝的年轻朋友。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound was one of the contributors.

    庞德是杂志的发起人之一。

    耶鲁公开课 - 现代诗歌课程节选

  • My Dear Pound, here is the poem.

    亲爱的庞德,诗歌如下。

    耶鲁公开课 - 现代诗歌课程节选

  • And yet, it's also important for reading Pound and for reading Eliot and for reading Moore, who sound the way they do partly because they make a point of not writing pentameter, the meter that Frost often, but not always, chooses.

    也对于阅读庞德和,艾略特,莫尔的诗歌很重要,他们听起来是做到了一部分,因为它们提议不要写五音部格诗,这种形式弗罗斯特很常用,但不是总用到。

    耶鲁公开课 - 现代诗歌课程节选

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