• And we talked about a triad being a configuration of three pitches where you take the first, the third and the fifth.

    弦是由三个高配置成的,你们可选取第一,第三第五个

    耶鲁公开课 - 聆听音乐课程节选

  • If you decide to take this course, get a hold of the materials for next Tuesday, do listening exercises one and nine through eleven.

    如果你选这门课,下个星期四准备好这些材料,做听练习19到11

    耶鲁公开课 - 聆听音乐课程节选

  • Programs that can produce music that have-- that we recognize as music, that have melodic structure and develop themes, resolve, music that nobody's heard before.

    这些程序可以生成,我们认可的乐,这些乐具有旋律形态递进的主题,有转为和音的章节,而且从未有人听到过这些

    耶鲁公开课 - 死亡课程节选

  • Poetry is not interested in expert debate at all, and it converts the big spectrum of possible degrees of accent into those two simple categories: stressed and unstressed syllables.

    诗是从不在乎这样专业的争议的,它将涵盖很多不同程度的重谱,简单分成两种:,重非重节。

    耶鲁公开课 - 现代诗歌课程节选

  • Why,when dealing with harmony and bass lines, do I want to start by focusing on popular music and then apply those principles to classical music?

    为什么在处理和音线时,我是否需要注重流行乐然后将这些原则应用到古典乐上?

    耶鲁公开课 - 聆听音乐课程节选

  • Someone asked me, "Well,why are some notes consonant and why are other notes dissonant?"

    有人问我,那么为什么有些符是和音而有些不协调呢“

    耶鲁公开课 - 聆听音乐课程节选

  • Now we're going to hear Beach Boys, IV I guess,with a three-chord chord progression and it's going to be sub-dominant , V dominant , I tonic .

    而现在我们来听听貌似是沙滩男孩,三弦进行,然后将会是次属,属

    耶鲁公开课 - 聆听音乐课程节选

  • So if you hear two chords rocking, it's probably tonic and dominant.

    如果你听到有两个弦,这有可能是主

    耶鲁公开课 - 聆听音乐课程节选

  • Okay, so we've got across the idea of tonics and leading tones.

    好了,我们了解了主的概念

    耶鲁公开课 - 聆听音乐课程节选

  • Well,you can just--an engineer will just sit there and isolate that second of sound and then give a "times three" command and "boom," well,look at Pavarotti hold out that note.

    嗯,你可以想象,工程师会只坐在那里,分离出的第二个声,然后给了三拍命令砰“,好吧,看帕瓦罗蒂能拖出那个

    耶鲁公开课 - 聆听音乐课程节选

  • He's going to close it back down here with death and he's going to close it back down using a process that we frequently encounter in music, and that is this idea of dissonance resolving to consonance.

    他要描述生命从繁华喧嚣中走向寂灭,他要用一种我们常在乐中邂逅的方式,描述生命从繁华喧嚣中走向寂灭,这就是使不解构为和音,这个理念

    耶鲁公开课 - 聆听音乐课程节选

  • There are nine keys for my left thumb alone so I'm kind of switching between these on the back here and many others, and because of that I can go very high and I'll just demonstrate that.

    我的左手拇指就要控制九个键,通过按动后部,其他地方的键,我就能吹出很高的,我现在就来演示

    耶鲁公开课 - 聆听音乐课程节选

  • Here for example we have the pitch C and either note above or below it is dissonant.

    如果说这里用C,那么不管是它上面还是下面的符搭配都不谐。

    耶鲁公开课 - 聆听音乐课程节选

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