Derrida, as I said, believes in a kind of seamless web of discourse or discursivity. We are awash in discourse.
德里达,我说过,他相信有一种无缝的网,存在于论述或推论中,我们在论述中是处于同一水平线的。
The creation of the just city can only begin," he says, " "with the control of music, poetry and the arts."
他说:,“正义之城的建立,仅能开始于控制音乐、诗学与艺术“
It's as if Richard takes those words, and he makes them his own, takes them from his father and gains a different kind of strength from them, a strength he can then use to get back at his father.
理查按父亲说的做了,就如同把父亲说的,复制于他的大脑中一样,似乎从中获得了一种,不同寻常的报复方式。
One use, he said, would be to make one's corpse available to the study of anatomy.
他说,一个用处是,可以贡献于解剖学。
His view is much, if not most, of what we are told about the Homeric world comes, as he says, in the tenth and in the ninth centuries.
他关于《荷马史诗》中世界的观点,正如他说的,即使不是大部分,也有许多,是得自于第九和第十世纪的某些观点
In a stunning admission, he says, listen to this, that "while nature may intend to distinguish the free man from the slave," he says, "the opposite often results.
听听这一段,精彩的坦承谈话,他说:,“虽然自然可能倾向于,将自由人从奴隶中区别出来,但常是事与愿违。
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