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The heroine of the mask, as you know, doesn't seem to have a Christian name. She's not Britney or Lindsay.
你们也知道《面具》里的女主角，似乎没有教名，她不是布兰妮或林赛。
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I think that the entry could be seen as in some way helpful for our understanding of this poem, the Mask.
我觉得这个条目某种程度上来说,对我们理解《面具》这首诗是有帮助的。
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I always want to--modern football helmets which are monstrous-- I'm so old we used to play with leather ones without a face mask.
现代美式橄榄球的面具就跟怪兽一样的,我老了,我们小时候打球都是皮质头盔而且没有面具的
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If I'm wearing a mask as I do my terrible stuff, nobody will know it's me, but there's also a psychologically liberating effect.
如果我干坏事是戴上面具，就没人知道是我，除了这个原因，还有一种心理解脱效应。
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Crazy Jane is one of Yeats's masks or roles.
疯珍妮是叶芝的面具或角色之一。
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This also, by the way, gets him interested in Baroque and these kinds of Baroque masquerades that he had back in Moscow and then in St. Petersburg as well.
这也同时,使他对巴洛克艺术有兴趣,他在莫斯科有许多巴洛克风格的面具,后来在圣彼得堡也有
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Remember the rubber band on the back of that mask?
还记得面具后面的橡皮筋不？
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We have no choice but to understand that Milton's mask is serious business The whole production is one of the utmost seriousness.
我们没有选择只能理解《面具》是件很严肃的事,整个演出都是很严肃的事情。
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It's a perfectly reasonable sentiment to include in an example of the particular genre that Milton is writing his mask in.
弥尔顿在他的《面具》,这一特别的流派中包含这个例子,是完全合理的。
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And I'm going to ask you to think of all of the images here, the figurations of listening and hearing in the mask.
我叫你们想象下这场景，《面具》里听觉和视觉的轮廓。
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But these virtues, however great, I think, are also associated in the mask with the Lady's petrifaction, her fixation on the seat that Comus has fashioned for her.
但是我认为，无论美德是多么高尚，也是与女士在《面具》中的目瞪口呆，以及科玛斯为其设计的固定座椅相联系的。
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He had just come from writing the music for a number of masks by the celebrated playwright and mask-writer Ben Johnson.
他刚刚为著名的剧作家和面具作者本约翰,写的《面具》作了很多曲。
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The music for the mask, which still exists at least, the melody still exists, was written by Henry Lawes, the most important musician working in England.
现在流传下来了的《面具》的音乐，亨利劳斯写的旋律依然存世，亨利是英国最伟大的作曲家。
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I think there's a connection here between the image from the commonplace book and the treatment in Milton's mask of this strangely conjoint phenomenon of virginity and speechlessness.
我认为,笔记书中的形象,和弥尔顿《面具》中有关童贞和无语这一共同现象,是有联系的。
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So the Lady in the 1637 version of this poem, of this mask,is at an impasse.
所以在1637年版本的《面具》中，这位女士，陷入了僵局。
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But first we need to establish a few things about the occasion for this piece and about the genre, the literary genre of the mask in general.
但首先我们必须建立一些,关于此作品与流派，一般文学体裁《面具》的场合。
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Now you will remember that the mask Comus was everywhere well, the strangely intertwined questions of the power of chastity on the one hand and the power of poetry on the other.
你们应该记得，面具戏《科玛斯》处处都,一方面是贞洁的力量，一方面是诗歌的力量,这两股奇特的纠缠在一起的力量。
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The Elder Brother has obviously upped the ante in the mask's overvaluation of virginity.
很显然,大哥提高了面具中高估贞操的赌注。
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It seems that Lawes himself actually played the role of the attendant spirit, that beneficent, slightly frightening figure who hovers over the entire landscape of the mask.
看起来好像,劳斯自己扮演了跟班精神，那善行微妙地,让那些参与《面具》创作的人员产生了恐惧。
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I think we could make some estimation of its significance if we juxtapose it with Comus since The Mask attempts to tackle, in a much more expanded form, so many of the same issues.
我认为我们可以评估一下它的重要意义,如果我们将它与《科玛斯》并列，因为《面具》试图，以扩大许多的形式去处理许多相同的事件。
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He wrote it to be performed by Bridgewater's three children: the Lady Alice, who obviously played the Lady, and Bridgewater's two sons and they play the Elder Brother and the second brother, respectively.
面具》由布里奇沃特的三个孩子主演：,爱丽丝小姐，显而易见主演小姐,分别饰演大哥和二哥。
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Now as I mentioned, the title of this piece was originally A Mask Presented at Ludlow Castle, and it seems actually to have been known by the reading public by this title for a good hundred years or so.
现在正如我提到的，这部作品的标题,最初是拉德洛城堡里上演的《面具》,它似乎已经在好几百年前,就因为这个标题被广大读者熟知了。
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And so in the case of A Mask here, it's the Lord John Egerton, the Earl of Bridgewater who commissioned Milton to write a piece honoring his own inauguration in his new role as the Lord President of Wales.
所以在《面具》这个例子中，是贵族约翰埃杰顿，布里奇沃特伯爵,指派弥尔顿去写一篇文章,来歌颂他掌管威尔士的就职典礼的。
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She doesn't end the mask stuck to Comus' chair.
她并未理会粘在科玛斯座椅上的面具。
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The most striking of which were death masks made of pure gold on the remains of the body, but also jewels, and implements, and weapons of very high expense.
其中最引人注目的是,覆盖在尸体上以纯金所制的面具,当然还有贵重的珠宝,器具,武器
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Cardboard box, self-made top, mask included.
纸盒箱，自己做的上衣，还有面具。
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So in this guise with the mask of Saint Peter on he's -- Milton's -able to be both poet and minister.
因此在圣彼得的面具掩盖下,弥尔顿能够身兼诗人和牧师的双重职责。
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Is it possible to say that she successfully conveys a moral program that we can any way identify as the official doctrine of the mask?
是否可以说她成功地传达了一个道德课程,让我们能以任何方式标识为《面具》的官方学说？
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And we see in the poem itself an anticipation of the struggle that results eventually in the eighteenth century in the new title of the mask.
我们看到，诗本身是一个预期的斗争,在18世纪面具的新标题中最终出现了。
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But you can see from the text that you have in your Hughes editions -- - or any edition, any printed edition now -- the speech continues in the version of the mask that we have.
但是你们可以在休斯版本的书里看到-,或者其他版本，其他任何印刷版本-,演说在《面具》里以我们知道的版本继续。
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